IXYPSILONZETT 02/2011
Discovery, Venture, Risk
Broschur mit 34 Seiten
Format: 215 x 285 mm
ISSN 0040-5418
€ 6,00
KEIN PORTO innerhalb Deutschlands
VERFÜGBARKEIT: Versandfertig innerhalb von 1-3 Werktagen
Discovery, Venture, Risk
Over the last three decades theatre for children and young people in Germany has often sought its inspiration from aesthetic developments and trends in young people’s theatre in neighbouring European countries. On the basis of the experience gained from working with foreign directors and authors, German theatres for children and young people have intensified their cooperation with partners from abroad, and are increasingly initiating joint cross-border projects. Whether this be with the support of the Wanderlust Fund of the Federal Cultural Foundation, or the Goethe Institute throughout the world, or by means of specially created European networks for artistic exchanges and joint productions, the European and, indeed, increasingly global dimension of aesthetic thinking and action in German theatre for children and young people is almost a part of everyday artistic life in the theatre for young audiences in Germany. [weiter]
Das Magazin für Kinder- und Jugendtheater erscheint aus Anlass des 17. Weltkongresses des ASSITEJ International im Mai in Kopenhagen (Dänemark) und Malmø (Schweden) in englischer Sprache. Die deutschen Originaltexte können ab dem 8.5. unter www.jugendtheater.net nachgelesen werden.
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« Inhalt
| Inhaltsinfo | Seite | |
|---|---|---|
| Editorial |  | Seite 1 |
| International Dialogue | ||
| Internationality needs Cultural Policy International coproduction in theatre for young audiences von Wolfgang Schneider | Seite 4 | |
| From local to Global Exchange The international work of the Children’s and Young People’s Theatre Centre in Germany von Henning Fangauf, Jürgen Kirschner | Seite 7 | |
| Programms and Networks | ||
| International Theatre Partnerships The Wanderlust Fund in the Federal Cultural Foundation von Anne Maase | Seite 11 | |
| Play Europe The European Theatre Convention (ETC) and their “Young Europe” project von Kay Wuschek | Seite 13 | |
| Ideas behind European Cultural Support Experiences with European Networks in Theatre for Young Audiences von Dirk Neldner | Seite 15 | |
| Two-Way Traffic Possibilities and strategies of the Goethe Institute von Thomas Stumpp | Seite 18 | |
| Experiences in Art | ||
| Heads or tails A German-Cypriot encounter von Anne Paffenholz | Seite 21 | |
| Finding the thread. Time and time again “Simurgh’s Last Feather” – An Iranian-German cooperation von Stephan Weiland | Seite 24 | |
| A house containing a tree On the cooperation between the Oldenburg State Theatre and the Kopergietery Arts Centre in Ghent (Belgium) von Matthias Grön | Seite 27 | |
| Broadening the perspective International coproduction in Austria von Kai Krösche | Seite 30 | |
| Information | Seite 33 | |
| Assitej and Centre Festivals in Germany | ||
| Imprint | Seite 33 | |
